Call for Entries – Nikon Small World Photomicrography Competition

The Nikon competition is open to anyone with an interest in microscopy and photography through the microscope.

DEADLINE:  April 30, 2020

The Nikon Small World Photomicrography Competition is open to anyone with an interest in microscopy and photography through the microscope. The video competition, entitled Small World In Motion encompasses any movie or digital time-lapse photography taken through the microscope.

If you are interested in entering the competition, you are invited you to set up a Small World Entrant Account, which will allow you to create a profile, view your entries and update your images and videos before the submission deadline. If you don’t wish to register for an account, you may still enter the competition as a guest.

FOR MORE DETAILS AND APPLICATION [WWW]

Call for Entries: NETWORKED – SciArt Center and The Nook Gallery

“Submissions surrounding the ideas, functions, structures, and results of BEING NETWORKED are encouraged.

DEADLINE:   April 29, 2019
LOCATION:  Los Angeles, Calif.
Submission Fee:  $20

Networks are everywhere; the human body contains networks for vital biological functions like genetic signaling, cellular metabolism, and neuronal communication. Organisms use networks to adapt and thrive, such as the “wood-wide web” of fungal tree root connections. Networks are a hallmark of modern life, from the networks of transportation to the multi-faceted network that is the Internet.

Networks connect us across scales, geographies, and time. In looking at the systems of life through the lens of network science, how does the structure of a network affect its function? What can we learn from the networks formed by the forces of nature, micro to macro? How have social networks changed with the influx of communication technologies like Facebook, Snapchat, and WhatsApp?

“NETWORKED” will be on view at The Nook Gallery (Los Angeles) from July 13th – August 29th, 2019.

For DETAILS and APPLICATION [www]

Call for Entries

Stephen Nowlin: How ArtScience Doubts the Supernatural

The supernatural is an oxymoronic entanglement that the arts must continue to unravel if they are going to pair with true science and assume with any integrity the mantle of ArtScience.

From Interalia Magazine:

This essay introduces two recent exhibitions and examines the origins of ArtScience in relation to the nineteenth century’s transition from representation to abstraction. While that progression was a seminal step in art history, the author proposes that a no less seismic impact resulted from its spatial reorientation – from expressions structured in pictorial imaginary space to those structured in actual, real space. That realignmnt echoed what science had been incrementally doing for four hundred years, by replacing fabricated comprehensions of reality with concrete ones – and in the process, shifting ontological and epistemological dispositions away from the supernatural and toward the natural…

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